Friday, August 12, 2011

Dogma Poster Movie C 27x40 Ben Affleck Matt Damon Linda Fiorentino

  • Approx. Size: 27 x 40 Inches - 69cm x 102cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Dogma Style C 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
LAST SEDUCTION - DVD MovieWhew. Linda Fiorentino is like a home-grown apocalyptic nightmare as the sizzling, sexy dame who thinks "sharing" is a dirty word. Fiorentino, a master of the double-cross, hooks up with naive Peter Berg, a nice guy desperate for a little adventure. There are endless twists to this cleverly vicious story, but the real draw is Fiorentino, whose performance is brilliant. She is the Everywoman you never want to meet: cool as ice, passionate, tough, self-satisfied, smart, and amoral. Bill Pullman is a surprise as a Machiavellian doctor who is almost h! er match. Definitely not a date flick, as this represents one vicious battle in the sexual wars. --Rochelle O'Gorman Neither director William Friedkin nor star David Caruso could redeem this vulgar, nasty script by Joe Eszterhas. Caruso is a politically ambitious assistant D.A. investigating the gruesome murder of a San Francisco bigwig. Too many clues point in the direction of his former girlfriend (Linda Fiorentino), a shrink who has a secret sideline as call girl to the rich and kinky. For good measure, she's now married to Caruso's best friend, Chazz Palminteri. Friedkin has done much better work in other places; even he can't perform much magic here, though he tries, with a solid car chase (that suffers in comparison to those he staged in French Connection and To Live and Die in L.A.). --Marshall FineWhew. Linda Fiorentino is like a home-grown apocalyptic nightmare as the sizzling, sexy dame who thinks "sharing" is a dirty word. Fiorentino, ! a master of the double-cross, hooks up with naive Peter Berg, ! a nice g uy desperate for a little adventure. There are endless twists to this cleverly vicious story, but the real draw is Fiorentino, whose performance is brilliant. She is the Everywoman you never want to meet: cool as ice, passionate, tough, self-satisfied, smart, and amoral. Bill Pullman is a surprise as a Machiavellian doctor who is almost her match. Definitely not a date flick, as this represents one vicious battle in the sexual wars. --Rochelle O'Gorman GOTCHA - DVD MovieBefore he started losing his hair (which gave his baby face the maturity it needed for him to be taken seriously as a doctor on E.R.), Anthony Edwards was the quintessential juvenile lead, college division. That is what he plays here: a college kid who is campus champ at an assassination game called Gotcha (that uses fake guns). Then he goes on a summer vacation behind the Iron Curtain (before it came tumbling down) and falls for a female operative (Linda Fiorentino), who not only uses him as a! n unsuspecting courier for spy stuff but makes him a fall guy, as well. When he finally extricates himself from the trouble, the trouble follows him back to campus. Silly and far-fetched, though Edwards has that wounded-puppy look down perfectly. --Marshall FineBefore he started losing his hair (which gave his baby face the maturity it needed for him to be taken seriously as a doctor on E.R.), Anthony Edwards was the quintessential juvenile lead, college division. That is what he plays here: a college kid who is campus champ at an assassination game called Gotcha (that uses fake guns). Then he goes on a summer vacation behind the Iron Curtain (before it came tumbling down) and falls for a female operative (Linda Fiorentino), who not only uses him as an unsuspecting courier for spy stuff but makes him a fall guy, as well. When he finally extricates himself from the trouble, the trouble follows him back to campus. Silly and far-fetched, though Edwards has that ! wounded-puppy look down perfectly. --Marshall FineThis ! witty, elegant, graceful and clever film (Los Angeles Reader) stunningly evokes the legendary milieu of Paris café society. Starring Keith Carradine, Linda Fiorentino, Genevieve Bujold,Geraldine Chaplin, Wallace Shawn and John Lone, The Moderns is 'tantalizing unabashedly romantic [and] a glowing evocation of an era (The Hollywood Reporter)! Paris, 1926. A time whenanything could happen and usually did. At the center of this world is Nick Hart (Carradine), a struggling painter who makes a meager living drawing caricatures at his favorite café. Nick longs for success and even agrees to forge masterpieces for a wealthy divorcée (Chaplin). But what he really desires is Rachel (Fiorentino), the seductive wife of an obsessively jealousand lethally dangerous businessman (Lone).Vision Quest is a coming of age movie in which high school wrestler Louden Swain (Matthew Modine) decides he wants to be something more than an average high school athlete and sets his sights on a prize that! many don't think he can win -- he then sets out to reach his goal alone, without much support from his father or coach. His father rents a room to a young drifter, Carla (Linda Fiorentino). Swain falls in love with her and she helps him stay focused and prevents him from losing sight of his goals. Although a lower-budget film than Flashdance or Top Gun, this movie is similar in theme and style. Madonna makes her first appearance in a major motion picture as a lead singer in a local band performing her hit songs "Crazy For You" and "Gambler".This film wraps up the big wrestling match that Terry Davis's novel left unresolved. It also makes Carla (Linda Fiorentino, in her screen debut) less of a bad girl. What it does capture is the book's flowing feeling of power and the possibility of youth. Probably best known for presenting a just-emerging Madonna singing "Crazy for You," Vision Quest also uses Matthew Modine nicely. He doesn't typify the usual coming-of-age youth,! but his character, Louden Swain, isn't the typical youth, per! iod. Swa in needs to win the Washington State wrestling championship, and he's up against a guy who carries logs up stadium steps. He's also involved with an older woman, Carla, and learning that love and all that stuff is much harder than pinning an opponent. Ah, youth. --Keith Simanton What is it like to enter into the mind of a psychopathic killer, to experience his thoughts...and the thoughts of his victims during their last, terror-stricken moments? David Krane (Ray Liotta, Hannibal) is about to risk his sanity and his life to find out. From the acclaimed director of The Last Seduction comes this well-paced, stylish (The Washington Post) thriller that propelsyou into a hallucinatory realm of heart-stopping suspense that never lets up.Accused of murdering his wife years ago in a blind, alcoholic rage, Krane is desperate to clear his name and discover the identity of the real killer. When local researcher Martha Briggs (Linda Fiorentino, The Last Seduction, Jade) unveils ! an experimental drug that allows the user to relive the memories of another person, living or dead, Krane sees his chance. Stealing a dose of the dangerously unstable compound, he injects himselfand embarks on a mind-bending quest for the truth that will plunge him into a realm of physical and psychic peril beyond his wildest nightmares.A string of insurmountable gaps in logic keeps this science fiction/thriller hybrid from director John Dahl (Joy Ride, The Last Seduction) from fully developing its intriguing premise. Ray Liotta stars as a medical examiner who is obsessed with finding his wife's killer. A possible solution is found in neurobiologist Linda Fiorentino's experimental serum, which transfers memories from one person to another--even from the deceased. Liotta injects himself with the serum, which allows him harrowing glimpses into other people's minds. But while each dose brings him closer to identifying the killer, it also puts him one step nearer ! to death. Dahl keeps the film moving briskly and wraps it in n! oirish p hotography, but he's let down by Bill Geddie's script, which asks viewers to swallow some implausible notions (the instantaneous success of the experimental serum, for one). --Paul GaitaDogma reproduction poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, poster and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

Romeo and Juliet - Olivia Hussey - Original Movie Poster

  • Original Theatrical Release Movie Poster
  • New and Unused
  • Single Sided
  • Factory Folded
  • The Poster In The Image Is The One You Will Receive
In a powerful portrayal, Golden Globe winner Olivia Hussey illuminates the life story of Mother Teresa, the selfless missionary who brought hope, love and salvation to the poorest of the poor. A shrewd diplomat and an indomitable force, Mother Teresa is unwilling to accept what others deem impossible, fearlessly fighting for the unloved and the forgotten. Her good works transcend hardships and ultimately earn her international acclaim, including the Nobel Peace prize. The small miracles and humble triumphs of Mother Teresa will inspire you in this poignant tale of a modern-day saint.Franco Zeffirelli's 1968 adaptation of Shakespeare's Romeo and Juliet was unique in its day for casting kids in the play's pivotal roles of,! well, kids. Seventeen-year-old Leonard Whiting and 15-year-old Olivia Hussey play the titular pair, the Bard's star-crossed lovers who defy a running feud between their families in order to be together in love. Typically played on stage and in previous film productions by adult actors, the innocent look and rawness of Whiting and Hussey resonated at the time with a burgeoning youth movement from San Francisco to Prague. The tragic romance at the center of the story also clicked with anti-authority sentiments, but even without that, Zeffirelli scores points by validating the ideals and passions of strong-willed adolescents. Less successful are scenes requiring the actors to have a fuller grasp of the text, though the best thing going remains the unambiguous duel between Romeo and Tybalt (Michael York). Lavishly photographed by Pasquale de Santis on location in Italy, this Romeo and Juliet brought a different tone and dimension to a story that had become tiresome in r! everential presentations. --Tom KeoghShakespeare's clas! sic play of tragic love between members of opposing families.
Genre: Feature Film-Drama
Rating: PG
Release Date: 12-DEC-2003
Media Type: DVDFranco Zeffirelli's 1968 adaptation of Shakespeare's Romeo and Juliet was unique in its day for casting kids in the play's pivotal roles of, well, kids. Seventeen-year-old Leonard Whiting and 15-year-old Olivia Hussey play the titular pair, the Bard's star-crossed lovers who defy a running feud between their families in order to be together in love. Typically played on stage and in previous film productions by adult actors, the innocent look and rawness of Whiting and Hussey resonated at the time with a burgeoning youth movement from San Francisco to Prague. The tragic romance at the center of the story also clicked with anti-authority sentiments, but even without that, Zeffirelli scores points by validating the ideals and passions of strong-willed adolescents. Less successful are scenes requiring t! he actors to have a fuller grasp of the text, though the best thing going remains the unambiguous duel between Romeo and Tybalt (Michael York). Lavishly photographed by Pasquale de Santis on location in Italy, this Romeo and Juliet brought a different tone and dimension to a story that had become tiresome in reverential presentations. --Tom KeoghOriginal 1976 Theatrical Release Movie Poster. Measures 27" x 41" (inches) The poster is single sided, factory folded and unused and will be shipped to you packed in plastic and then inside surrounding packaging.