Disturbia [Blu-ray]

• UK Import
• Blu-ray
• Region-Free

After his father’s accidental death, Kale (Shia LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of his house begin to close in on Kale as he takes chances to extend the boundaries both physical and emotional â€" of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, including a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale’s cabin fever and vivid imagination? Or have they unwittingly! stumbled across a crime that could cost them their lives?Alfred Hitchcock fans may experience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (The Salton Sea) and co-writer Carl Ellsworth (Red Eye) use Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf, Holes) loses his beloved father to a car crash. A year passes, and he's still on edge. When a teacher makes a careless remark about his dad, Kale punches him out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss, Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbors to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer, The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse, The Gre! en Mile), is a serial killer. With the help of the flirtat! ious Ash ley, practical joke-playing pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's Transformers, makes for an engaging leading man--despite his character’s propensity for slugging Spanish instructors. --Kathleen C. Fennessy

Beyond Disturbia

Why We Love Shia LaBeouf

The Soundtrack

Rear Window

Stills from Disturbia (click for larger image)

After his father’s accidental death, Kale (Shia LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of hi! s house begin to close in on Kale as he takes chances to extend the boundaries both physical and emotional â€" of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, including a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale’s cabin fever and vivid imagination? Or have they unwittingly stumbled across a crime that could cost them their lives?Alfred Hitchcock fans may experience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (The Salton Sea) and co-writer Carl Ellsworth (Red Eye) use Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf, Holes) loses his beloved father to a car crash. A year passes, ! and he's still on edge. When a teacher makes a careless remark! about h is dad, Kale punches him out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss, Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbors to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer, The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse, The Green Mile), is a serial killer. With the help of the flirtatious Ashley, practical joke-playing pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's Transformers, makes for an engaging leading man--despite his c! haracter’s propensity for slugging Spanish instructors. --Kathleen C. Fennessy

Beyond Disturbia

Why We Love Shia LaBeouf

The Soundtrack

Rear Window

Stills from Disturbia (click for larger image)

After his father’s accidental death, Kale (Shia LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of his house begin to close in on Kale as he takes chances to extend the boundaries both physical and emotional â€" of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, including a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale’s cabin fever and vivid imagination? Or have they unwittingly stumbled across a crime! that could cost them their lives?Alfred Hitchcock fans may ex! perience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (The Salton Sea) and co-writer Carl Ellsworth (Red Eye) use Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf, Holes) loses his beloved father to a car crash. A year passes, and he's still on edge. When a teacher makes a careless remark about his dad, Kale punches him out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss, Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbors to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer, The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse, The Green Mile), is a serial killer. With the help of the flirtatious Ashley, practical joke-playi! ng pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's Transformers, makes for an engaging leading man--despite his character’s propensity for slugging Spanish instructors. --Kathleen C. Fennessy

Beyond Disturbia

Why We Love Shia LaBeouf

The Soundtrack

! Rear Window

Stills from Disturbia (click for larger image)

	!

After his father’s accidental death, Kale (Shia LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of his house begin to close i! n on Kale as he takes chances to extend the boundaries both ph! ysical a nd emotional â€" of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, including a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale’s cabin fever and vivid imagination? Or have they unwittingly stumbled across a crime that could cost them their lives?Alfred Hitchcock fans may experience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (The Salton Sea) and co-writer Carl Ellsworth (Red Eye) use Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf, Holes) loses his beloved father to a car crash. A year passes, and he's still on edge. When a teacher makes a careless remark about his dad, Kale punches him ! out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss, Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbors to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer, The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse, The Green Mile), is a serial killer. With the help of the flirtatious Ashley, practical joke-playing pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's Transformers, makes for an engaging leading man--despite his character’s propensity ! for slugging Spanish instructors. --Kathleen C. Fennessy

Beyond Disturbia

Why We Love Shia LaBeouf

The Soundtrack

Rear Window

Stills from Disturbia (click for larger image)

!

Even on this quiet tree-lined street, no one is safe . . . especially from the savage killer next door. Welcome to Disturbia, "a cool thriller with big scares" (Richard Roeper, Ebert & Roeper).

Living under three months' house arrest, Kale Brecht (Shia LaBeouf, Transformers) passes his days spying on the neighbors. It's all fun and games until things take a horrifying turn for the worse. Kale is convinced his neighbor next door is a serial killer - but he can't prove anything, can't convince anyone and can't leave his house without triggering an alarm. Enlisting the help of his friends, Kale is determined to expose the truth - but have they all taken on more than they bargained for with a cold-blooded murderer on the loose?

With nowhere to run and nowhere to hide, Kale and his friends are in a race for their lives in this electrifying thriller that will keep you on the edge of your seat.fter his father's accidental death, Kale (Shia ! LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of his house begin to close in on Kale as he takes chances to extend the boundaries both physical and emotional - of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, including a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale's cabin fever and vivid imagination? Or have they unwittingly stumbled across a crime that could cost them their lives?Alfred Hitchcock fans may experience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (T! he Salton Sea) and co-writer Carl Ellsworth (Red Eye) use < i>Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf, Holes) loses his beloved father to a car crash. A year passes, and he's still on edge. When a teacher makes a careless remark about his dad, Kale punches him out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss, Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbors to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer, The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse, The Green Mile), is a serial killer. With the help of the flirtatious Ashley, practical joke-playing pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving hi! s yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's Transformers, makes for an engaging leading man--despite his character’s propensity for slugging Spanish instructors. --Kathleen C. Fennessy

Beyond Disturbia

Why We Love Shia LaBeouf

The Soundtrack

Rear Window!

S! tills fr om Disturbia (click for larger image)

Harry Potter and the Order of the Phoenix (Widescreen Edition)

• Condition: New
• Format: DVD
• Widescreen; NTSC

Lord Voldemort has returned, but few want to believe it. In fact, the Ministry of Magic is doing everything it can to keep the wizarding world from knowing the truth - including appointing Ministry official Dolores Umbridge as the new Defense Against the Dark Arts teacher at Hogwarts. When Professor Umbridge refuses to train her students in practical defensive magic, a select group of students decides to learn on their own. With Harry Potter as their leader, these students (who call themselves "Dumbledore's Army") meet secretly in a hidden room at Hogwarts to hone their wizarding skills in preparation for battle with the Dark Lord and his Death Eaters. . New adventure - more dangerous , more thrilling than ever - is yours in this enthralling film version of the fifth novel in J.K. Rowling's Harry Potter series. A terrifying showdown ! between good and evil awaits. Prepare for battle!Alas! The fifth Harry Potter film has arrived. The time is long past that this can be considered a simple "children's" series--though children and adults alike will enjoy it immensely. Starting off from the dark and tragic ending of the fourth film, Harry Potter and the Order of the Phoenix begins in a somber and angst-filled tone that carries through the entire 138 minutes (the shortest of any HP movie despite being adapted from the longest book). Hopes of winning the Quidditch Cup have been replaced by woes like government corruption, distorted media spin, and the casualties of war. As the themes have matured, so have the primary characters' acting abilities. Ron (Rupert Grint), Hermione (Emma Watson), and especially Harry (Daniel Radcliffe) are more convincing than ever--in roles that are more demanding.

Harry is deeply traumatized from having witnessed Cedric Diggory's murder, but he will soon find! that this was just another chapter in the continuing loss he ! will end ure. Lord Voldemort (Ralph Fiennes) has returned and, in an attempt to conceal this catastrophe from the wizarding public, the Ministry of Magic has teamed up with the wizard newspaper The Daily Prophet to smear young Potter and wise Dumbledore (Michael Gambon)--seemingly the only two people in the public eye who believe the Dark Lord has returned. With no one else to stand against the wicked Death Eaters, the Hogwarts headmaster is forced to revive his secret anti-Voldemort society, the Order of the Phoenix. This welcomes back characters like Mad-Eye Moody (Brendan Gleeson), kind Remus Lupin (David Thewlis), fatherly Sirius Black (Gary Oldman), and insidious Severus Snape (Alan Rickman), and introduces a short list of intriguing new faces. In the meantime, a semi-psychotic bureaucrat from the Ministry (brilliantly portrayed by Imelda Staunton) has seized power at Hogwarts, and Harry is forced to form a secret society of his own--lest the other young wizards at his sc! hool be left ill-equipped to defend themselves in the looming war between good and evil. In addition, Harry is filled with an inexplicable rage that only his Godfather Sirius seems to be able to understand.

This film, though not as frightening as its predecessor, earns its PG-13 rating mostly because of the ever-darkening tone. As always, the loyal fans of J.K. Rowling's books will suffer huge cuts from the original plot and character developments, but make no mistake: this is a good movie. --Jordan Thompson

Be Cool

• ISBN13: 9780060777067
• Condition: Used - Very Good
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Starring an unbelievably hip all-star cast, including John Travolta, Uma Thurman, André 3000, Steven Tyler and The Rock, and bursting with the hottest music in the biz, Be Cool is the wildly hilarious tale about a gangster turned music mogul and what it takes to be number one with a bullet. When Chili Palmer (Travolta) decides to try his hand in the music industry, he romances thesultry widow (Thurman) of a recently whacked music exec, poaches a hot young singer (Christina Milian) from a rival label and discovers that the record industry is packin' a whole lot more than a tune!Be Cool takes its own advice: It's slick, Hollywood entertainment that kills two amusing hours with relative ease and comfort. Bett! er than leftovers but not as tasty as a full-course meal, this sequel to 1995's hit comedy Get Shorty (and based on Elmore Leonard's 1999 sequel novel) finds former loan shark Chili Palmer (John Travolta) itching to get out of the movie business, so he hooks up with a newly widowed music executive (Uma Thurman) to launch the career of an up-'n-coming Beyoncé-like singer (newcomer Christina Milian). A mock-black manager (Vince Vaughn), his sleazy boss (Harvey Keitel), and an upscale gangsta-rap executive (Cedric the Entertainer) all have a competing stake in the fast-rising pop diva's future, and this sets the plot rolling in a fun but rather hand-me-down fashion that lacks the savvy panache of Get Shorty but still provides plenty of lightweight humor. The Rock and Outkast's André Benjamin provide the best laughs in supporting roles that effortlessly relieve the movie from the symptoms of sequelitis. --Jeff ShannonStudio: Tcfhe/mgm Release Date: 07/05! /2011 Rating: Pg13Starring an unbelievably hip all-star cast,! includi ng John Travolta, Uma Thurman, André 3000, Steven Tyler and The Rock, and bursting with the hottest music in the biz, Be Cool is the wildly hilarious tale about a gangster turned music mogul and what it takes to be number one with a bullet. When Chili Palmer (Travolta) decides to try his hand in the music industry, he romances thesultry widow (Thurman) of a recently whacked music exec, poaches a hot young singer (Christina Milian) from a rival label and discovers that the record industry is packin' a whole lot more than a tune!Be Cool takes its own advice: It's slick, Hollywood entertainment that kills two amusing hours with relative ease and comfort. Better than leftovers but not as tasty as a full-course meal, this sequel to 1995's hit comedy Get Shorty (and based on Elmore Leonard's 1999 sequel novel) finds former loan shark Chili Palmer (John Travolta) itching to get out of the movie business, so he hooks up with a newly widowed music executive (Uma Thurm! an) to launch the career of an up-'n-coming Beyoncé-like singer (newcomer Christina Milian). A mock-black manager (Vince Vaughn), his sleazy boss (Harvey Keitel), and an upscale gangsta-rap executive (Cedric the Entertainer) all have a competing stake in the fast-rising pop diva's future, and this sets the plot rolling in a fun but rather hand-me-down fashion that lacks the savvy panache of Get Shorty but still provides plenty of lightweight humor. The Rock and Outkast's André Benjamin provide the best laughs in supporting roles that effortlessly relieve the movie from the symptoms of sequelitis. --Jeff ShannonDisc 1: GET SHORTY Disc 2: BE COOL

The sequel to Chili Palmer's hit movie Get Leo tanked and now Chili's itching for a comeback. So when a power lunch with record-label executive and former associate Tommy Athens ends in a mob hit, he soon finds himself in an unlikely alliance with organized-crime detective Darryl Holmes and the likely next ! target of Russian gangsters. But where others see danger, Chil! i Palmer sees story possibilities.

Enter Linda Moon, a singer with aspirations that go further than her current gig in a Spice Girls cover band. Chili takes over as Linda's manager, entering the world of rock stars, pop divas, and hip-hop gangstas. As he wings his way to success in the music business with his trademark cool, Chili manipulates his adversaries and advances his friends, all the while basing the plot of his new film on the action that results. Be Cool is rife with drama, jealousy, and betrayal, and all Chili needs to do is survive to make a new box-office hit.

The film Get Shorty was a success on many fronts. It introduced a new style of hip gangster that revised the stereotype of the Godfather series. It also helped relaunch the career of John Travolta. And it brought Elmore Leonard's impressive body of fiction to larger public attention. In Hollywood, such a triumph usually spawns a sequel--a film that rehashes the great jokes an! d cool scenes of the first film, but with none of the panache that initially inspired audiences.

In the beginning of Be Cool, the sequel to the novel Get Shorty, readers are reminded that Chili Palmer--like his creator--scored a huge success with a gangster film (his was entitled Get Leo). But the sequel, Get Lost, was a predictable dud. Rather than follow that sordid story, however, Leonard takes Chili into a totally new direction. He places Chili on a murder investigation (in which he is a prime suspect) and then traces Chili's entry into the music business. Meanwhile, Leonard reveals a whole new cast of fresh, funny, and flaky characters to populate Chili's world, characters like Elliot the gigantic, gay, Samoan bodyguard who lives to be on the stage. Throughout, the voice of John Travolta rings in Chili's every speech (word has it that Travolta has already been cast to reprise the role) as Leonard pokes fun at the Hollywood ! apparatus and the task of a sequel writer.

Be Cool surp asses its original because it is so self-consciously a novel about sequels, about the sometimes cowardice that limits the creativity of the American film industry. It is hard to imagine how Leonard could top the multilayered satire/crime novel/exposé. One only hopes for a sequel. Fans of Be Cool might want to check out music from The Stone Coyotes, the band that served as Leonard's model in the book. --Patrick O'Kelley

Trick 'r Treat

• The doorbell rings, the cry goes out: Trick R Treat! But, wait. What s actually going on during this ghostly All Hallows Eve? Something eerie and unexpected. Something splattered and spooky. Something that brings ghouls, vampires and werewolves into the night. Answer the door a shocking surprise awaits. Format: DVD MOVIE Genre: HORROR Rating: R Age: 085391176190 UPC: 

Christine Brown (Alison Lohman) is on her way to having it all: a devoted boyfriend (Justin Long), a hard-earned job promotion, and a bright future. But when she’s forced to make a tough decision that evicts an elderly woman from her house, Christine becomes the victim of an evil curse. Now she has only three days to dissuade a dark spirit from stealing her soul before she is dragged to hell for an eternity of unthinkable torment. Director Sam Raimi (Spider-Man and The Evil Dead Trilogy) returns to the horror genre with a ! vengeance in the film that critics rave is “the most crazy, fun and terrifying horror movie in years!” (Owen Gleiberman, Entertainment Weekly)Touted as a return to Sam Raimi's horror-movie roots, Drag Me to Hell is indeed closer in spirit to the director's Evil Dead pictures than to his Spider-Man films. You got your gypsy gargoyles with rotted dentures, your upchucking corpses, your flexible two-way orifices--yes, Raimi's definitely back in the saddle. There's even a story: a sad loan officer (Alison Lohman) turns down the aforementioned denture-wearing gypsy for a loan extension, which leads to an evil curse and a date in hell in three days' time. A séance, an animal sacrifice, and a session in a storm-tossed graveyard will make the 72 hours pass very nervously, thank you, along with assorted scares. Justin Long plays Lohman's upper-class boyfriend, and Raimi fills the rest of the cast with some unusual and unfamiliar types. Along with the ! giddy horror-comedy that bursts out of the movie every 10 minu! tes or s o, there's also an underlying mood of pity: Lohman's character is something of a hard-luck sad sack, who does enough wrong things to make her seem like a truly abject individual, well outside the heroic model of most multiplex offerings. (Lohman's own little-girl-lost quality adds to this feeling.) But don't let that get in the way of the fun-ride aspects of this goofy enterprise: Drag Me to Hell is a bunch of Z-movie gags wrapped in top-drawer production values. --Robert Horton


Stills from Drag Me to Hell (Click for larger image) Christine Brown (Alison Lohman) is on her way to having it all: a devoted boyfriend (Justin Long), a hard-earned job promotion, and a bright future. But when she’s forced to make a tough decision that evicts an elderly woman from her house, Christine becomes the victim of an evil curse. Now she has only three days to dissuade a dark spirit from stealing her soul before she is dragged to hell for an eternity of unthinkable torment. Director Sam Raimi (Spider-Man and The Evil Dead Trilogy) returns to the horror genre with a vengeance in the film that critics rave is “the most crazy, fun and terrifying horror movie in years!” (Owen Gleiberman, Entertainment Weekly)Touted as a return to Sam Raimi's horror-movie roots, Drag Me to Hell is indeed closer in spirit to the director's Evil Dead pictures than to his Spider-Man films. You got your gypsy gargoyles with r! otted dentures, your upchucking corpses, your flexible two-way! orifice s--yes, Raimi's definitely back in the saddle. There's even a story: a sad loan officer (Alison Lohman) turns down the aforementioned denture-wearing gypsy for a loan extension, which leads to an evil curse and a date in hell in three days' time. A séance, an animal sacrifice, and a session in a storm-tossed graveyard will make the 72 hours pass very nervously, thank you, along with assorted scares. Justin Long plays Lohman's upper-class boyfriend, and Raimi fills the rest of the cast with some unusual and unfamiliar types. Along with the giddy horror-comedy that bursts out of the movie every 10 minutes or so, there's also an underlying mood of pity: Lohman's character is something of a hard-luck sad sack, who does enough wrong things to make her seem like a truly abject individual, well outside the heroic model of most multiplex offerings. (Lohman's own little-girl-lost quality adds to this feeling.) But don't let that get in the way of the fun-ride aspects of this goofy e! nterprise: Drag Me to Hell is a bunch of Z-movie gags wrapped in top-drawer production values. --Robert Horton

Stills from Drag Me to Hell (Click for larger image) The doorbell rings, the cry goes out: Trick 'R Treat! But, wait. What's actually going on during this ghostly All Hallows Eve? Something eerie and unexpected. Something splattered and spooky. Something that brings ghouls, vampires and werewolves into the night. Answer the door â€" a shocking! surprise awaits. From producer Bryan Singer (director of X-Me! n and Su perman Returns) and writer-director Michael Dougherty (co-scripter of X2 and Superman Returns) comes a multitale bag of wicked yarns, four cleverly interlocked stories built on Shocktober admonitions like always check the candy and don’t extinguish the jack-o-lantern before midnight. So answer the door now: Experience horror made for today's fright fan.Trick 'r Treat, directed by Michael Dougherty of Superman Returns fame, has a comic book feel but does a nice job of conveying the real things that can spook kids, making for a good Halloween thriller. Composed of four intertwined stories that unfold simultaneously, starting on the same block in Ohio, Trick 'r Treat initially bears some resemblance to John Carpenter's Halloween, in that it focuses on terrors experienced by teens and young, costumed children. As the short tales become increasingly violent and complex, one begins to see that many culprits are responsible, and that a general haunting! of all neighborhood jack-o'-lanterns is the root cause of some gory crimes. For example, in one segment, Emma (Leslie Bibb), against the wishes of her husband, Henry (Tahmoh Penikett), blows out a candle in her jack-o'-lantern and pays dearly as her night unfolds. Meanwhile, Laurie (Anna Paquin of True Blood), a young woman dressed as Little Red Riding Hood, goes to the woods to party with her sister and two girlfriends, attracting a stalker whose smile alone is creepy enough to startle a slumber party crowd. The two stories starring younger kids carry the film, however. In one, elementary-schooler Charlie (Brett Kelly) meets with the demented school principal, Steven (Dylan Baker), who assesses Charlie's love of stealing candy and thrashing pumpkins. At the same time, a witchy nerd named Rhonda (Samm Todd) is invited to join a young gang at an abandoned rock quarry and faces the mean gang leader, Macy (Britt McKillip), after a prank goes awry. "Earlier" or "Later" ! periodically flash onscreen in comic-book typeface, successful! ly direc ting the viewer through time and also relieving some tension that would've built through a single sustained story. In this, light comedy and some downright silliness shine through. All the kids are in great costumes, and the film, overall, has a festive goth look. By the end, one trusts that Trick 'r Treat is really targeting the younger age group that it highlights, yet it contains enough spook to make adults jumpy as well. --Trinie Dalton

Crazy Love

• Dan Klores' CRAZY LOVE tells the astonishing story of the obsessive roller-coaster relationship of Burt and Linda Pugach, which shocked the nation during the summer of 1959. Burt, a 32 year-old married attorney and Linda, a beautiful, single 20 year-old girl living in the Bronx had a whirlwind romance, which culminated in a violent and psychologically complex set of actions that landed the pair's

Steve Carell and Ryan Gosling lead an all-star cast in Crazy, Stupid, Love. Fortysomething straight-laced Cal Weaver (Carell) is living the dreamâ€"good job, nice house, great kids and marriage to his high school sweetheart, Emily (Julianne Moore). So when Cal learns that his wife has cheated on him and wants a divorce, his “perfect” life quickly unravels. Cal, who hasn't dated in decades, stands out as the epitome of un-smooth so handsome player Jacob Palmer (Gosling) takes him on as wing! man and protégé, opening Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style. Despite Cal's makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading Cal back to where he began. Brimming with inspired performances, critics are calling this gem of a romantic comedy “a movie that understands love” (Owen Gleiberman, Entertainment Weekly). Crazy, Stupid, Love is a romantic comedy with a big heart--a refreshing change from its Hangover-laden compatriots, and almost a throwback to a golden era of romance. For Crazy, Stupid, Love relies on the sharp writing by Dan Fogelman (animated hits like Bolt, Tangled) and the sparkly chemistry of its cast, led by Steve Carell, Ryan Gosling, Julianne Moore, and the emerging superstar Emma Stone. It's not that the plot is ground-breaking--maybe, in fact, the appeal of Crazy, Stupid, Love i! s that it's all too relatable. Cal (Carell) is long married to! Emily ( Moore), until one day she drops divorce on him, out of the blue. Stunned, Cal tries to reassemble his life as a woefully unprepared single guy. Enter Jacob (Gosling, who's never been better) as a happy bachelor whose tips for Cal will be ones that even the most happily wed female viewers will secretly want their mates to hear. Marisa Tomei has a hilarious turn as a temptress who's way out of Cal's league. And Stone is the fresh-faced, fearless young woman who shakes the confident Jacob's supposedly solid world view.

But it's the interplay between the characters, the true humanness of their emotions--long missing from many contemporary "romantic comedies"--that set Crazy, Stupid, Love in a class of its own. Moore is more than just the weary, accusatory neglected wife--someone who's never stopped believing in the spark of love. Gosling could easily be his generation's Cary Grant--assured, quick-witted, sly, yet vulnerable. Carell once again shows his dramatic capabil! ities on top of his impeccable comic timing. And Stone is a revelation, lovely, delicate, vulnerable but strong. Crazy, Stupid, Love will reaffirm the viewer's belief in all that's possible. Call us crazy. --A.T. HurleySteve Carell and Ryan Gosling lead an all-star cast in Crazy, Stupid, Love. Fortysomething straight-laced Cal Weaver (Carell) is living the dreamâ€"good job, nice house, great kids and marriage to his high school sweetheart, Emily (Julianne Moore). So when Cal learns that his wife has cheated on him and wants a divorce, his “perfect” life quickly unravels. Cal, who hasn't dated in decades, stands out as the epitome of un-smooth so handsome player Jacob Palmer (Gosling) takes him on as wingman and protégé, opening Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style. Despite Cal's makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep lead! ing Cal back to where he began. Brimming with inspired perform! ances, c ritics are calling this gem of a romantic comedy “a movie that understands love” (Owen Gleiberman, Entertainment Weekly). Crazy, Stupid, Love is a romantic comedy with a big heart--a refreshing change from its Hangover-laden compatriots, and almost a throwback to a golden era of romance. For Crazy, Stupid, Love relies on the sharp writing by Dan Fogelman (animated hits like Bolt, Tangled) and the sparkly chemistry of its cast, led by Steve Carell, Ryan Gosling, Julianne Moore, and the emerging superstar Emma Stone. It's not that the plot is ground-breaking--maybe, in fact, the appeal of Crazy, Stupid, Love is that it's all too relatable. Cal (Carell) is long married to Emily (Moore), until one day she drops divorce on him, out of the blue. Stunned, Cal tries to reassemble his life as a woefully unprepared single guy. Enter Jacob (Gosling, who's never been better) as a happy bachelor whose tips for Cal will be ones that eve! n the most happily wed female viewers will secretly want their mates to hear. Marisa Tomei has a hilarious turn as a temptress who's way out of Cal's league. And Stone is the fresh-faced, fearless young woman who shakes the confident Jacob's supposedly solid world view.

But it's the interplay between the characters, the true humanness of their emotions--long missing from many contemporary "romantic comedies"--that set Crazy, Stupid, Love in a class of its own. Moore is more than just the weary, accusatory neglected wife--someone who's never stopped believing in the spark of love. Gosling could easily be his generation's Cary Grant--assured, quick-witted, sly, yet vulnerable. Carell once again shows his dramatic capabilities on top of his impeccable comic timing. And Stone is a revelation, lovely, delicate, vulnerable but strong. Crazy, Stupid, Love will reaffirm the viewer's belief in all that's possible. Call us crazy. --A.T. HurleySteve Carell and ! Ryan Gosling lead an all-star cast in Crazy, Stupid, Love. Fort ysomething straight-laced Cal Weaver (Carell) is living the dreamâ€"good job, nice house, great kids and marriage to his high school sweetheart, Emily (Julianne Moore). So when Cal learns that his wife has cheated on him and wants a divorce, his “perfect” life quickly unravels. Cal, who hasn't dated in decades, stands out as the epitome of un-smooth so handsome player Jacob Palmer (Gosling) takes him on as wingman and protégé, opening Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style. Despite Cal's makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading Cal back to where he began. Brimming with inspired performances, critics are calling this gem of a romantic comedy “a movie that understands love” (Owen Gleiberman, Entertainment Weekly). Crazy, Stupid, Love is a romantic comedy with a big heart--a refreshing change from its Hangover-laden c! ompatriots, and almost a throwback to a golden era of romance. For Crazy, Stupid, Love relies on the sharp writing by Dan Fogelman (animated hits like Bolt, Tangled) and the sparkly chemistry of its cast, led by Steve Carell, Ryan Gosling, Julianne Moore, and the emerging superstar Emma Stone. It's not that the plot is ground-breaking--maybe, in fact, the appeal of Crazy, Stupid, Love is that it's all too relatable. Cal (Carell) is long married to Emily (Moore), until one day she drops divorce on him, out of the blue. Stunned, Cal tries to reassemble his life as a woefully unprepared single guy. Enter Jacob (Gosling, who's never been better) as a happy bachelor whose tips for Cal will be ones that even the most happily wed female viewers will secretly want their mates to hear. Marisa Tomei has a hilarious turn as a temptress who's way out of Cal's league. And Stone is the fresh-faced, fearless young woman who shakes the confident Jacob's supposed! ly solid world view.

But it's the interplay between the cha! racters, the true humanness of their emotions--long missing from many contemporary "romantic comedies"--that set Crazy, Stupid, Love in a class of its own. Moore is more than just the weary, accusatory neglected wife--someone who's never stopped believing in the spark of love. Gosling could easily be his generation's Cary Grant--assured, quick-witted, sly, yet vulnerable. Carell once again shows his dramatic capabilities on top of his impeccable comic timing. And Stone is a revelation, lovely, delicate, vulnerable but strong. Crazy, Stupid, Love will reaffirm the viewer's belief in all that's possible. Call us crazy. --A.T. HurleyThe astonishing & unbelievable story of the obsessive roller-coaster relationship of burt & linda pugach. Their whirlwind romance culminated in a violent & psychologically complex set of actions which landed the pairs saga on the cover of endless newspapers & magazines. A true story. Studio: Magnolia Pict Hm Ent Release Date: 10/16/20! 07 Run time: 92 minutes Rating: Pg13If it were a novel, the story of Burt Pugach and Linda Riss would be rejected as ludicrous: When Pugach discovered that Riss was engaged to marry another man, he hired thugs to throw lye in her face, blinding her. But after almost two decades in prison, Pugach emerged as obsessively in love with Riss as ever and continued to woo her--successfully. This flabbergasting true story is slowly unveiled, thanks to marvelously adroit editing, through interviews with Pugach, Riss, many of their friends, and various media figures like Jimmy Breslin, who followed the twists and turns of this saga as it played out in the courts and the papers. The key to the movie, though, is not the plot so much as the characters: Not only are Pugach and Riss a fascinating psychological study, all of their friends are standout personalities as well, each with their own take on what happened. The big events are bizarre enough, but it's the strange small twists--ju! st how Pugach and Riss were brought back together, for example! --that p ush the story into the realm of tabloid surrealism. (One detail that doesn't give much away: Prior to meeting Riss, Pugach co-produced a movie called Death Over My Shoulder.) Skillful use of historical footage keeps the movie from just being a series of talking heads and provides period texture. Crazy Love is yet more evidence that we are living in a golden era of wildly entertaining and engaging documentaries. --Bret Fetzer

Nancy Drew: The Haunting of Castle Malloy [Download]

• Immerse Yourself In Irish Culture.
• Help With Wedding Duties.
• Join A Band And Play The Irish Drums.
• Play Arcade Games At The Screaming Banshee Inn.

Pragmatic Charlie Ravynne never imagined she would find herself falling in love with a house of all things, let alone the deserted, dilapidated Victorian mansion she found on the Internet. Her sister, Meg, on the other hand, was not nearly as enamored. In fact, she seriously doubted her sister's sanity, when she suggested they enter the contest that offered Hensley Hall as the prize.
But Meg's curiosity was piqued when she learned the previous owners had died in the old mansion. As a self- styled "ghost magnet" whose interest in the paranormal dated back to her childhood, she became more and more intrigued with the notion that HensleyHall was haunted. If they won the contest, she could have her very own ghosts! Though! , admittedly, she wasn't all that sure what she'd do with them!
Soon the contest had hooked them both, though neither really believed they had any chance of winning. They had never won anything in their entire lives (except in grade school when they'd won first prize for the most unusual Halloween costume due to a freak accident neither ever wanted to mention again!)and so, they were both amazed when a registered letter brought the good news. They were now the new owners of Hensley Hall and its occupants.
Arriving at their new home, they were horrified by the monstrous mansion that seemed to be waiting for them with malevolent intent. Imprinted by old tragedies…hates…forbidden loves, and a bloated evil that fed on fear, the derelict mansion they had hoped would be their dream house some day, quickly, turned into their worst nightmare as, bit by bit, they uncovered the dark history surrounding its past.
Almost forty years ago, three schoolgirls had been! brutally raped then murdered by the Stoneman, whose signature! was a b lack river rock sealed in the mouth of each victim. Then seventeen year old, Breanna Hensley, vanished and was never seen again, except when night falls and her restless spirit roamed the halls searching for? Is it Devon, her twin brother, and the 'person of interest' the police were about to arrest when he fled the scene and died in a train wreck?
As Meg and Charlie Ravynne struggle to solve the mystery surrounding Breanna's disappearance and find peace for her restless spirit, they begin to believe that Devon is not the one buried in the family mausoleum…that the murderer and rapist the police were looking for is very much alive and somewhere close. Perhaps way too close!
Could he be the darkly, beguiling, Zack Mallory, the mysterious boarder who rents the tower room? Or is he, Adrian Adams, their youngest sister, Rayne's, new love interest? There are more than skeletons rattling around in the cupboards at Hensley Hall…far more…in this paranormal thriller! laced with romance.
Pragmatic Charlie Ravynne never imagined she would find herself falling in love with a house of all things, let alone the deserted, dilapidated Victorian mansion she found on the Internet. Her sister, Meg, on the other hand, was not nearly as enamored. In fact, she seriously doubted her sister's sanity, when she suggested they enter the contest that offered Hensley Hall as the prize.
But Meg's curiosity was piqued when she learned the previous owners had died in the old mansion. As a self- styled "ghost magnet" whose interest in the paranormal dated back to her childhood, she became more and more intrigued with the notion that HensleyHall was haunted. If they won the contest, she could have her very own ghosts! Though, admittedly, she wasn't all that sure what she'd do with them!
Soon the contest had hooked them both, though neither really believed they had any chance of winning. They had never won anything in their entire lives (except in! grade school when they'd won first prize for the most unusual! Hallowe en costume due to a freak accident neither ever wanted to mention again!)and so, they were both amazed when a registered letter brought the good news. They were now the new owners of Hensley Hall and its occupants.
Arriving at their new home, they were horrified by the monstrous mansion that seemed to be waiting for them with malevolent intent. Imprinted by old tragedies…hates…forbidden loves, and a bloated evil that fed on fear, the derelict mansion they had hoped would be their dream house some day, quickly, turned into their worst nightmare as, bit by bit, they uncovered the dark history surrounding its past.
Almost forty years ago, three schoolgirls had been brutally raped then murdered by the Stoneman, whose signature was a black river rock sealed in the mouth of each victim. Then seventeen year old, Breanna Hensley, vanished and was never seen again, except when night falls and her restless spirit roamed the halls searching for? Is it Devon, her twin brothe! r, and the 'person of interest' the police were about to arrest when he fled the scene and died in a train wreck?
As Meg and Charlie Ravynne struggle to solve the mystery surrounding Breanna's disappearance and find peace for her restless spirit, they begin to believe that Devon is not the one buried in the family mausoleum…that the murderer and rapist the police were looking for is very much alive and somewhere close. Perhaps way too close!
Could he be the darkly, beguiling, Zack Mallory, the mysterious boarder who rents the tower room? Or is he, Adrian Adams, their youngest sister, Rayne's, new love interest? There are more than skeletons rattling around in the cupboards at Hensley Hall…far more…in this paranormal thriller laced with romance.
New York Times and USA Today bestselling author P. J. Alderman weaves present-day supernatural sleuthery with nineteenth-century intrigue in the first book of an enchanting new mystery series! set in picturesque Port Chatham, Washington.

Jordan Marsh left L.A. for the quaint Pacific Northwest town of Port Chatham in pursuit of some much-needed R & R. As the prime suspect in her cheating husband's murder, she had been hoping to immerse herself in the restoration of the charming Victorian she'd just bought--and put all talk of homicide investigations behind her. But as she soon discovers, the coldest of cases cry out to be solved, too.

For this old house comes fully furnished--with two garrulous ghosts who have a century-old murder of their own they'd like her to look into. Now, if Jordan can keep the L.A. police at bay, and sort through a suspect list of shady characters circa 1890, she might just clear a wrongly accused man's name--and her own.


From the Paperback edition.

New York Times and USA Today bestselling author P. J. Alderman weaves present-day supernatural sleuthery with ninet! eenth-century intrigue in the first book of an enchanting new mystery series set in picturesque Port Chatham, Washington.

Jordan Marsh left L.A. for the quaint Pacific Northwest town of Port Chatham in pursuit of some much-needed R & R. As the prime suspect in her cheating husband's murder, she had been hoping to immerse herself in the restoration of the charming Victorian she'd just bought--and put all talk of homicide investigations behind her. But as she soon discovers, the coldest of cases cry out to be solved, too.

For this old house comes fully furnished--with two garrulous ghosts who have a century-old murder of their own they'd like her to look into. Now, if Jordan can keep the L.A. police at bay, and sort through a suspect list of shady characters circa 1890, she might just clear a wrongly accused man's name--and her own.


From the Paperback edition.

The Sim! mons-Mallory wedding was supposed to be a fairytale beginning,! but now the groom is missing! Did a banshee crash the wedding or is this a case of cold feet? Can you, as Nancy Drew, unravel the knot of scattered clues and scary superstitions? You'll have to catch more than a bridal bouquet to make this wedding end in a happily ever after!

Brief Interviews with Hideous Men

• ISBN13: 9780316925198
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

David Foster Wallace made an art of taking readers into places no other writer even gets near. The series of stories from which this exuberantly acclaimed book takes its title is a sequence of imagined interviews with men on the subject of their relations with women. These portraits of men at their most self-justifying, loquacious, and benighted explore poignantly and hilariously the agonies of sexual connections.Amid the screams of adulation for bandanna-clad wunderkind David Foster Wallace, you might hear a small peep. It is the cry for some restraint. On occasion the reader is left in the dust wondering where the story went, as the author, literary turbochargers on full-blast, suddenly accelerate! s into the wild-blue-footnoted yonder in pursuit of some obscure metafictional fancy. Brief Interviews with Hideous Men, Wallace's latest collection, is at least in part a response to the distress signal put out by the many readers who want to ride along with him, if he'd only slow down for a second.

The intellectual gymnastics and ceaseless rumination endure (if you don't have a tolerance for that kind of thing, your nose doesn't belong in this book), but they are for the most part couched in simpler, less frenzied narratives. The book's four-piece namesake takes the form of interview transcripts, in which the conniving horror that is the male gender is revealed in all of its licentious glory. In the short, two-part "The Devil Is a Busy Man," Wallace strolls through the Hall of Mirrors that is human motivation. (Is it possible to completely rid an act of generosity of any self-serving benefits? And why is it easier to sell a couch for five ! dollars than it is to give it away for free?) The even shorte! r glimps e into modern-day social ritual, "A Radically Condensed History of Postindustrial Life," stretches the seams of its total of seven lines with scathing economy: "She laughed extremely hard, hoping to be liked. Then each drove home alone, staring straight ahead, with the very same twist to their faces." Wallace also imbues his extreme observational skills with a haunting poetic sensibility. Witness what he does to a diving board and the two darkened patches at the end of it in "Forever Overhead":

It's going to send you someplace which its own length keeps you from seeing, which seems wrong to submit to without even thinking.... They are skin abraded from feet by the violence of the disappearance of people with real weight.

Of course, not every piece is an absolute winner. "The Depressed Person" slips from purposefully clinical to unintentionally boring. "Tri-Stan: I Sold Sissee Nar to Ecko" reimagines an Arthurian tale in MTV terms a! nd holds your attention for about as long as you'd imagine from such a description. Ultimately, however, even these failed experiments are a testament to Mr. Wallace's endless if unbridled talent. Once he gets the reins completely around that sucker, it's going to be quite a ride. --Bob Michaels

Photographic Prints of Aryan Types/couple from Mary Evans

• This 10x8 Print features an image chosen by Mary Evans. Estimated image size 254x172mm.
• High quality RA4 prints. Printed on Kodak Endura and Edge papers
• Image Description: The Aryan race nobility of blood, incomparable beauty of form and mind, and a superior breed. An ideal Aryan couple.
• For any queries regarding this item please contact Mary Evans c/o Media Storehouse quoting Media Reference 4323268
• © Mary Evans Picture Library/weimar Archive

From the producer of the Oscar Award Winning films Platoon and The Last Emperor comes John Daly's THE COUPLE. Based on the true story of a Jewish Hungarian's desperate attempts to save his family from the Nazi death camps. Mr. Krauzenberg (Martin Landau) is forced to hand over his vast wealth to the Nazis for the safe passage of his family out of occupied Europe, only to find his two remaining servants are left trapped! in a web of deceit and danger. Their only hope for survival relies on the courage of Krauzenberg.10x8 Print, ARYAN TYPES/COUPLE. The Aryan race nobility of blood, incomparable beauty of form and mind, and a superior breed. An ideal Aryan couple. . Chosen by Mary Evans. High quality RA4 prints. Printed on Kodak Endura and Edge papers.